Pedro Almodovar
The box set (thanks MM) blurb says
he's: outstanding, controversial and influential. He makes brilliant
films.
I'd been planning to work yesterday.
I'd been looking forward to working, absurd as that must sound. I'd
been looking forward to working at a sensible, even a serene pace.
Concentrating on getting things right, rather than going at
everything manically, struggling to get anything out of the door to
programme. Instead, I did nothing of the sort. It started with the
heavy rain and All About My Mother. Then there was male-form pastry:
dough. Home made pizza and pasta. 50% success rate. The pizza went
down a storm.
“One each? There's enough for one
each.”
“That's alright. We'll share one.”
“You sure? There's enough.”
“No, one'll be fine. We can have some
more later if we're still hungry.”
Five minutes later:
“Is that second pizza still on
offer?”
The oversize, pasty-size, under-stuffed
ravioli were somewhere between disaster and barely-edible, but I'm
writing them down as 'need tweaking' because they'll be nice when I
get them right and pasta made from just good flour and real
free-range eggs has a certain body-as-temple appeal.
Then there was walking the dog, and
drying out afterwards. Dropping FL down for the early season bonfire
festivities. Watching the mighty 'Quins dismantle Biarritz in the
second half.
Then we watched Talk to Her.
The themes of the films overlap: the
nature of sexuality, and our need to pigeonhole when boundaries are
manmade or blurred; accidents, hospitals, death, treatment. Both pose
ethical and moral questions, and examine how these relate to
friendship. Both look hard at the downside of overly sheltered
upbringings. Both are great films.
Time Bandits
Not the film with the dwarves and John
Cleese. These are real, although unseen. They steal portions of time
from my personal hourglass for some dodgy purpose. They're most
active at weekends, but they operate during the week, too.
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